Medea by Euripides

The name Medea can conjure up the image of a screaming murderous monster from antiquity. But Euripides brings Medea’s experience uncomfortably close to home. His Medea is a very real woman facing what to her seems an intolerable predicament. She fears she is facing total humiliation, which to her amounts to annihilation. Her solution is extreme but not unheard of in today’s world. We think what she does is overly emotional and irrational, but in fact the appalling deed is the result of the application of strict logic. Maybe this is a timely warning to our world increasingly obsessed, as it is, with algorithms of efficiency and artificial intelligence, just to hang onto our common sense and ordinary decency at all costs. Logic is a good servant but a bad master.

*The seats for the performance are standing and the audience is on the stage itself while the actors play among them.

Director: Declan Donnellan
Designer: Nick Ormerod

Cast:
Radina Kardzhilova, Velislav Pavlov, Valentin Ganev, Asen Dankov, Yavor Valkanov, Stelian Radev, Vyara Tabakova, Radena Valkanova, Joreta Nikolova, Stafania Koleva, Elena Ivanova, Nadya Keranova, Ana Papadopolu and children Nikola Sarzhev and Petar Sardzhev (doubles Boris Petrishki and Boyan Chelebiev)

Translation from Ancient Greek to English: Lucinda Dawkins

Translation from Ancient Greek to Bulgarian: Dorothea Tabakova

Dramaturgical Consultant and Programme Editor: Mira Todorova

Movement Director: Rosen Mihailov

Assistant to the Director: Rafael Bizev

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